120907 Orientalism Art
120907 Orientalism Art
Artist: Georges Washington
Product ID: 120907
High standard prints on artist-grade 100% cotton canvas
We print to scale and no cropping or alteration is done
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Before you buy, please click to see IMPORTANT notes about your order:
Before you buy, please click to see IMPORTANT notes about your order:
1. The watermark (www.wall-art-gallery.com) which appears on the left-side image will not print on the finished canvas.
2. We ship in 3-5 business days, and it typically arrives within 21 days at the most.
3. No P.O. box address, please. Shipments must be made to a physical street address along with your phone number as requested by the express carrier.
4. As shipping cost is calculated by volumetric weight, we believe that is more cost-effective for you to order just the art print (rolled canvas) and have your canvas stretched locally. If you cannot, then we are pleased to do it for you.
5. International orders might be subject to import duties and taxes, such as VAT and others, assessed by your country’s authorized departments, and are due upon delivery or could be added right now by your card issuer/bank. In any case, however, it is neither determined nor collected by wall-art-gallery.com.
6. Unstretched canvas will be finished with an additional 2.5cm (1") blank border on each side for stretching and framing locally. If you prefer to have a black border instead of an image wrap border, you can use black fabric tape to finish the sides.
7. Unstretched canvas will be covered with a protective wrap and rolled inside a secured mailing plastic or cardboard tube. For small sizes, however, less than 20” inches (50 cm), the canvas might be shipped flat between two protection sheets, inside a tight cardboard or bubbled mailing envelope.
8. Stretched canvas will be wrapped around 0.75” or 1.5” thick (based on canvas size) wooden stretcher bars to end up with a “gallery wrap” border, which is the highest professional grade of wrapping. The canvas then gets covered with a protective wrap, placed inside a tight cardboard box, and then shipped to you with all the hanging kits, ready to hang.
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About The Artist: Georges Washington
Georges Washington, French (1827-1901)
George Washington is considered one of France’s most successful nineteenth century Orientalist painters, renowned for his vibrant and animated scenes of Arab cavaliers and huntsmen set in Algeria, Morocco and Turkey. His exhibited and commissioned works are now part of many important public and private collections, enthusiastically praised by connoisseurs of the European Orientalist School for their veracity, vitality and virtuosity.
Washington was born out of wedlock in 1827, and as an adult adopted the pseudonym Georges Washington, after America’s first President. His mother, Marie Besse, did not officially acknowledge her son until 1868 – after the forty-one year old had received critical acclaim and gained popular appeal.
Like most aspiring young artists, Washington moved to Paris, where he trained at the Ecole des Beaux Arts under François-Edouard Picot (1786-1868). Best known for his historical battle scenes, Picot provided Washington with a strong grounding in draftsmanship and sound composition, to which the young artist added his own personal style and emotional intensity. Washington’s appreciation for vibrant colors and intense drama was enhanced by his study of the Romantic painters, especially Eugène Delacroix (1798-1863), who also used color and expressive brushstrokes to heighten the visual effect and elicit strong emotion.
Washington’s love of the Middle East and its customs was encouraged by his father-in-law, the military and Orientalist painter Henri-Félix-Emmanuel Philippoteaux (1815-1884), whose daughter, Anne-Léonie Philippoteaux, Washington married in Paris on August 6, 1859. Not long after finishing his training at the Ecole des Beaux Arts, Washington embarked on the first of many trips to Algeria. Fascinated by the people and their colorful costumes and exotic customs, Washington made his Paris debut at the French Salon in 1857 with an image of Saharan nomads, titled Plaine du Hoiina (Sahara Algérien).
Washington was a prolific painter and a popular exhibitor at the Salon for over forty years. One of his first works to gain critical acclaim was Nomades dans le Sahara en Hiver (exhibited 1861; subsequently acquired by the Musée de Lille). Further success came when in 1893 he showed Le Combat and Cavaliers Arabes dans le Désert des Sables, for which he was awarded a third class medal. In addition to Paris, Washington showed his work in Moscow in 1881, and was posthumously honored when four of his paintings were included in the Exposition Coloniale de Marseille in 1906.
In 1879, following two commissions from a Belgian company, the artist travelled to Morocco and subsequently Hungary, Bulgaria and Turkey, Beyond ferocious battle scenes and cavalry skirmishes, Washington added to his repertoire more serene images — nomads resting beside an oasis and horses with their riders enjoying a respite by the Mediterranean Sea. On rare occasions Washington depicted scenes of his homeland, including two equestrian compositions, Derby de Chantillyn en 1863 (shown at the Salon in 1864) and Steeple-chase à Vincennes (shown at the Salon in 1865). In 1886, he traveled to the United Sates for the unveiling in Philadelphia of a cyclorama (a monumental 360° panoramic view) of the Battle of Gettysburg by his brother-in-law Paul-Dominique Philippoteaux (1846-1923). Philippoteaux painted two earlier versions of the famous battle, assisted by five other artists, including Philippoteaux’s father and Georges Washington.
On the death of the artist’s father-in-law, Henri-Félix-Emmanuel Philippoteaux, in 1884, Georges Washington and his wife Anne-Léonie were left a modest apartment in Montmartre, which was later occupied by the Impressionist painter Auguste Renoir. In 1884 Washington sold thirty of his paintings at the Drouot Paris auction house, and using the proceeds as well as the money left to him by his father-in-law, he and his wife embarked on a farming enterprise in Brittany – which proved to be a financial disaster. Before returning to Montmartre, Washington revisited America in 1888 to undertake a commission for another panorama.
Following the death of his wife, Washington retired from painting and went to live with his daughter and son-in-law at Douarnenez on the Brittany Coast; he died shortly after on November 19, 1901.
The Skirmish not only exemplifies Washington’s expertise as an equestrian painter, but also his knowledge and understanding of Arab customs and costumes, which he witnessed firsthand during one of his many travels to the Middle East.
Money Back Guarantee (Return Policy):
We work hard to ensure that you get your art print in perfect conditions. If you are not happy with your purchase, for any reason, you can return it back to us for a refund. All what we ask is that you email us within seven (7) days of receipt of your art print that you wish to return your order. As soon as we receive your notice we will contact you to give you the return address along with all the information you require to mail the art print back to us for a refund.
We regret however for not accepting return of an art print that has been stretched, cropped, not in good condition or altered somehow after purchase.
To ensure that we will receive the returned art print, a traceable door-to-door courier must be used. We regretfully do not reimburse the return shipping charges UNLESS the return is due to a defect in quality or was damaged during transportation.
In such a case, where your order has arrived in unsatisfactory conditions, please take at the same date of receipt digital photos of your damaged product along with the shipping container (the box, tube, envelop, etc...) and send us the photos by email. Once we confirm your claim we will contact you to give you the return address along with the information you require to return the art print to us (FREE return) for a refund or replacement.
Best Price Guarantee (110% Price Match):
110% PRICE MATCH GUARANTEE
We at wall-art-gallery.com take pride in offering the lowest prices and best service available in our industry. We are confident that our prices are hard to compete. But even though, let us assume that it happened!
If you find the same item at the same conditions for a lower price anywhere online, we will beat it and heap on an extra 10% off your purchase. For example, if our price is $100 and the competitor’s price is $90, we will match the $90 and provide an additional $10 off (10% of the $100 price difference), meaning that we will refund a total of $20.
We want you to rest assured that you are getting the absolute best price for the product you order.
WE ALSO PRICE MATCH OURSELVES!
If you find that our own website has a lower price for the same item you have ordered within six months of your purchase date (but not under promotional offers or special discounts) we will refund the difference as well.
Prior to requesting our price match policy, please make sure that the following terms apply:
* The 110% price match guarantee is valid up to 15 days after the date of your purchase,
* The 110% price match applies to the final product price including taxes and shipping charges,
* The artwork must be in stock on the competitor’s website and for sale online,
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This artwork is in public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. If you’re a copyright owner of this artwork, or his/her legal representative, and you don’t agree that this artwork is public domain, please contact us.
Legal Notice (Disclaimer):
The colors of the printing material, as well as the imprint might differ somewhat from the image on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors will be printed as realistically as the digital version.
Furthermore, some pigments of the print products, as well as the printing may diverge somewhat from the representation on the device's screen.
Unlike almost all our competitors, and in spite of its cost impact, we go on printing to scale maintaining the proportions of the original painting as the Artist wanted it to be. In some cases however there might be around plus/minus ±1% tolerance in average, and maximum ±5% in very, very few cases.