190808 Symbols Art Paintings
190808 Symbols Art Paintings
Artist: Odilon Redon
Product ID: 190808
High standard prints on artist-grade 100% cotton canvas
We print to scale and no cropping or alteration is done
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Before you buy, please click to see IMPORTANT notes about your order:
Before you buy, please click to see IMPORTANT notes about your order:
1. The watermark (www.wall-art-gallery.com) which appears on the left-side image will not print on the finished canvas.
2. We ship in 3-5 business days, and it typically arrives within 21 days at the most.
3. No P.O. box address, please. Shipments must be made to a physical street address along with your phone number as requested by the express carrier.
4. As shipping cost is calculated by volumetric weight, we believe that is more cost-effective for you to order just the art print (rolled canvas) and have your canvas stretched locally. If you cannot, then we are pleased to do it for you.
5. International orders might be subject to import duties and taxes, such as VAT and others, assessed by your country’s authorized departments, and are due upon delivery or could be added right now by your card issuer/bank. In any case, however, it is neither determined nor collected by wall-art-gallery.com.
6. Unstretched canvas will be finished with an additional 2.5cm (1") blank border on each side for stretching and framing locally. If you prefer to have a black border instead of an image wrap border, you can use black fabric tape to finish the sides.
7. Unstretched canvas will be covered with a protective wrap and rolled inside a secured mailing plastic or cardboard tube. For small sizes, however, less than 20” inches (50 cm), the canvas might be shipped flat between two protection sheets, inside a tight cardboard or bubbled mailing envelope.
8. Stretched canvas will be wrapped around 0.75” or 1.5” thick (based on canvas size) wooden stretcher bars to end up with a “gallery wrap” border, which is the highest professional grade of wrapping. The canvas then gets covered with a protective wrap, placed inside a tight cardboard box, and then shipped to you with all the hanging kits, ready to hang.
Get to know more about this artwork and buy with confidence!
About The Artist: Odilon Redon
Odilon Redon, French (1840-1916)
Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist.
Early in his career, both before and after fighting in the Franco-Prussian War, he worked almost exclusively in charcoal and lithography, works referred to as noirs. He started gaining recognition after his drawings were mentioned in the 1884 novel À rebours by Joris-Karl Huysmans. During the 1890s he began working in pastel and oils, which quickly became his favourite medium, abandoning his previous style of noirs completely after 1900. He also developed a keen interest in Hindu and Buddhist religion and culture, which increasingly showed in his work.
He is perhaps best known today for the "dreamlike" paintings created in the first decade of the 20th century, which were heavily inspired by Japanese art and which, while continuing to take inspiration from nature, heavily flirted with abstraction. His work is considered a precursor to both Dadaism and Surrealism.
Odilon Redon was born in Bordeaux, Aquitaine, to a prosperous family. Redon's father made his fortune in the slave trade in Louisiana in the 1830s. Redon was conceived in New Orleans and the couple made the transatlantic journey back to France while his mother Marie Guérin, a French Creole woman, was pregnant. The young Bertrand Redon acquired the nickname "Odilon" from his mother's first name, Odile. Redon started drawing as a child; at the age of ten, he was awarded a drawing prize at school. He began the formal study of drawing at fifteen but, at his father's insistence, he changed to architecture. Failure to pass the entrance exams at Paris’ École des Beaux-Arts ended any plans for a career as an architect, although he briefly studied painting there under Jean-Léon Gérôme in 1864. (His younger brother Gaston Redon would become a noted architect.)
Back in his native Bordeaux, he took up sculpting, and Rodolphe Bresdin instructed him in etching and lithography. His artistic career was interrupted in 1870 when he was drafted to serve in the army in the Franco-Prussian War until its end in 1871.
At the end of the war, he moved to Paris and resumed working almost exclusively in charcoal and lithography. He called his visionary works, conceived in shades of black, his noirs. It was not until 1878 that his work gained any recognition with Guardian Spirit of the Waters; he published his first album of lithographs, titled Dans le Rêve, in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled À rebours (Against Nature). The story featured a decadent aristocrat who collected Redon's drawings.
In the 1890s pastel and oils became his favored media; he produced no more noirs after 1900. In 1899, he exhibited with the Nabis at Durand-Ruel's.
Redon had a keen interest in Hindu and Buddhist religion and culture. The figure of the Buddha increasingly showed in his work. Influences of Japonism blended into his art, such as the painting The Death of the Buddha around 1899, The Buddha in 1906, Jacob and the Angel in 1905, and Vase with Japanese warrior in 1905, amongst many others.
Baron Robert de Domecy (1867–1946) commissioned the artist in 1899 to create 17 decorative panels for the dining room of the Château de Domecy-sur-le-Vault near Sermizelles in Burgundy. Redon had created large decorative works for private residences in the past, but his compositions for the château de Domecy in 1900–1901 were his most radical compositions to that point and mark the transition from ornamental to abstract painting. The landscape details do not show a specific place or space. Only details of trees, twigs with leaves, and budding flowers in an endless horizon can be seen. The colours used are mostly yellow, grey, brown and light blue. The influence of the Japanese painting style found on folding screens byōbu is discernible in his choice of colours and the rectangular proportions of most of the up to 2.5 metres high panels. Fifteen of them are located today in the Musée d'Orsay, acquisitioned in 1988.
Domecy also commissioned Redon to paint portraits of his wife and their daughter Jeanne, two of which are in the collections of the Musée d'Orsay and the Getty Museum in California. Most of the paintings remained in the Domecy family collection until the 1960s.
In 1903 Redon was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by André Mellerio in 1913; that same year, he was given the largest single representation at the groundbreaking U.S. International Exhibition of Modern Art (aka Armory Show), in New York City, Chicago and Boston.
Redon died on 6 July 1916.
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In such a case, where your order has arrived in unsatisfactory conditions, please take at the same date of receipt digital photos of your damaged product along with the shipping container (the box, tube, envelop, etc...) and send us the photos by email. Once we confirm your claim we will contact you to give you the return address along with the information you require to return the art print to us (FREE return) for a refund or replacement.
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This artwork is in public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or less. If you’re a copyright owner of this artwork, or his/her legal representative, and you don’t agree that this artwork is public domain, please contact us.
Legal Notice (Disclaimer):
The colors of the printing material, as well as the imprint might differ somewhat from the image on your device's monitor. Depending on the settings of your screen and the nature of the surface, not all colors will be printed as realistically as the digital version.
Furthermore, some pigments of the print products, as well as the printing may diverge somewhat from the representation on the device's screen.
Unlike almost all our competitors, and in spite of its cost impact, we go on printing to scale maintaining the proportions of the original painting as the Artist wanted it to be. In some cases however there might be around plus/minus ±1% tolerance in average, and maximum ±5% in very, very few cases.